3 edition of City/stage/globe found in the catalog.
City/stage/globe
D. J. Hopkins
Published
2007
by Routledge in New York, NY
.
Written in
Edition Notes
Statement | D.J. Hopkins. |
Classifications | |
---|---|
LC Classifications | PR |
The Physical Object | |
Pagination | xii, 235 p. : |
Number of Pages | 235 |
ID Numbers | |
Open Library | OL22767464M |
ISBN 10 | 9780415976947 |
This book chooses 53 maps from Civitates cities in all--from Cuzco in the Americas to Calcutta in the Indies--and interprets them, explaining what can be seen in the 16th century map, and how that differs from today's cities. City/Stage/Globe. D.J. Hopkins — Literary Criticism. Performance and Space in Shakespeare's London. Theatre and Performance Studies Catalogue for European, Asian, African and Australian Markets from Routledge, Taylor & Francis Group.
City/Stage/Globe Performance and Space in Shakespeare’s London D.J. Hopkins, San Diego State University, USA Series: Literary Criticism and Cultural Theory pp Hb: . Shakespeare and the ‘Spatial Turn’ City/stage/globe: Performance and space in Shakespeare’s London. Article. Jan ; In this incisive book, Michel de Certeau considers the uses to.
DJ. Hopkins's City/ Stage/ Globe traces the mutu-ally constitutive nature of the three terms of its title through an evolutionary shift in the understanding of London's urban space in what Hopkins calls the "postmedieval" period, roughly coinciding with the life of Shakespeare. The book uses an interdisciplin-ary methodology to examine the ways. He is the author of City / Stage / Globe: Performance and Space in Shakespeare’s London as published by Routledge and the co-editor of the scholarly collections Performance and the City and Performance and the Global City. Hopkins is the recipient of the .
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City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern by: City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern by: City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the City/stage/globe book in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern : Taylor And Francis.
City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern London.
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City/Stage/Globe by D. Hopkins,available at Book Depository with free delivery worldwide.3/5(1). City/Stage/Globe: Performance and Space in Shakespeare's London This interdisciplinary study theorizes the interaction of individual performance and social space.
Examining three categories of space – the urban, the theatrical, and the cartographic – this volume considers the role of performance in the production and operation of these Pages: D.J.
Hopkins’s City/Stage/Globe traces the mutu-ally constitutive nature of the three terms of its title through an evolutionary shift in the understanding of London’s urban space in what Hopkins calls the “postmedieval” period, roughly coinciding with the life of Shakespeare.
The book uses an interdisciplin. 'City/Stage/Globe' examines a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged. It uses the tools of performance theory to locate the ways in which these events contributed to lasting change in the spatial concepts and physical topography of.
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern by: Matthew Paris, known as Matthew of Paris (Latin: Matthæus Parisiensis, lit.
"Matthew the Parisian"; c. – ), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with Notable work: Chronica Majora, Flores Historiarum.
(ebook) City/Stage/Globe () from Dymocks online store. This interdisciplinary study theorizes the interaction of. Australia’s leading bookseller for years. While this book focuses on the work of contemporary directors and the directorial principles that have become defined over the modern period, it is useful to see these in the historical context.
His book City / Stage / Globe: Performance and Space in Shakespeare’s London is published by Routledge. He is co-editor of the essay collections Performance and the City and Performance and the Global City (Palgrave). Read "Teaching Shakespeare and Marlowe Learning versus the System" by Dr Liam E.
Semler available from Rakuten Kobo. Schools and universities are fast becoming managerial 'courts' of learning in which educators and students are system cr Brand: Bloomsbury Publishing. Hopkins is a Shakespeare scholar who has not worked directly on a production of “Caesar” before but has written about the play in his book “City / Stage / Globe: Performance and Space in.
Book Review City/Stage/Globe: Performance and Space in Shakespeare's London. By D. Hopkins. New York and London: Routledge Press, Pp. xii + (cloth). Tinius, Jonas Rehearsing Detachment: Refugee Theatre and Dialectical os de arte e antropologia, p.
Author: Christopher Innes, Maria Shevtsova. Shohet, Lauren. “The Masque in/as Book,” The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England, ed.
Marta Straznicky (Amherst and Boston, MA, ). Smuts, Malcom, editor, “The Whole Royal and Magnificent Entertainment” Thomas Middleton: The Collected Works. Eds. Gary Taylor and John Lavagnino. Oxford, Author: Heather C. Easterling. His book City / Stage / Globe: Performance and Space in Shakespeare’s London () is published by Routledge.
He is co-editor on a collection of essays entitled Performance and the Global City (Palgravepaperback ). Discover the Civitates orbis terrarum, a vintage jewel in urban cartography.
Featuring town plans, bird's-eye views, maps and evocative city scenes across Europe, Asia, Africa and Latin America, this is an unrivaled panorama of city living and mapping at the turn of the 17th century.
Urban Studies has long understood the city as a 'text'. What would it mean now to rethink that metaphor? In answer to that question, Performance and the City, now in paperback and with a new preface by Susan Bennett, imagines civic spaces built on, and through, theatre and performance of all ing essays by Marla Carlson, Jen Harvie, D.J.
Hopkins and Shelley Orr, Ric Knowles, Format: Paperback. Discover Book Depository's huge selection of D J Hopkins books online. Free delivery worldwide on over 20 million titles.